LICENSING/ PROFESSIONAL LICENSING

L'amour © Julietta Cervantes, 2009
L'amour © Julietta Cervantes, 2009

TBDC actively promotes the performance and of Trisha’s choreography by professional and student dancers around the globe. The Company’s Education and Outreach program includes worldwide workshops, master classes and lecture demonstrations. Selected works from Trisha Browns 40 years of repertory are licensed to educational institutions and professional companies worldwide and are regularly restaged with dance students and professional companies in the USA and abroad.

Recent licensing and Restaging projects include Paul Taylor Dance Company, Stephen Petronio Company, Paris Opera Ballet, Candoco Dance Company, En-Knap Group, Pennsylvania Ballet, Ballet de Lorraine, and the Lyon Opera Ballet who have consistency licensed Trisha Brown repertory for over a decade.

Reset and Restaging Residencies

Brown’s philosophy of developing structure and form in infinite designs has become the cornerstone of the Company’s signature Reset Projects, a name derived from Brown’s iconic Set and Reset (1983). Led by Company dancers and alumni, Reset Project participants first learn the exact sequences from an original Brown work, and then engage in Brown’s unique choreographic protocol to generate their own variation of the original choreography. The Company also offers Restaging projects where the original choreography is transferred by a Reset and Restaging residencies consistently take place around the world both as an education initiative and on the professional level.

RECENT RESTAGING RESIDENCIES

Paul Taylor Dance Compnay (NY), Stephen Petronio Company (NY), Ballet de Lorraine (France), Barnard College (NY), Bard College (NY), The New School (NY), New York University (NY), Candoco Dance Company (United Kingdom), Pennsylvania Ballet (PA), Rutgers University (NJ), Stockholm University of the Arts (Sweden), La Manufacture (Switzerland), Hope Mohr Bridge Project (CA), Museo Tamayo (Mexico), Lyon Opera Ballet (France), Paris Opera Ballet (France), London Contemporary Dance School (United Kingdom), Yale Dance Theater (CT), Centre National de Danse Contemporaine Angers (France), Jerome Bel (France), Theo Clinkard (United Kingdom), Centre Pompidou-Metz with Ballet de Lorraine (France), Harkness Repertory Ensemble (NY), and Le Mouvement Festival (Switzerland), En-Knap Group (Slovenia), The College at Brockport (NY), Bates College (ME), Emory University (GA) and Sarah Lawrence College (NY).

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